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Haustoria
 

Haustoria or Pan’s Feeding Grounds, 2020

Edition of 10 photographs. 11.7’ x 16.5’ (A3), giclée on Archival Paper. 

Prints are available upon commission

Haustoria or Pan's Feeding Ground is a series of photographs depicting Pan, an ancient god of spring, fertility in a form of half goat half man. Here Pan is depicted wearing Haustorium, a hybrid symbiont of fungus and plastic.(...)

 

Weapons of Class Destruction (WOCDs)

Materials: Soil, unfired London clay, wild and urban plant seeds, agar, cellulose, hay, gypsum, water 

(10-35cm diameter)

 'Armoury' is a series of sculptures made by the artist or co-created during workshops that translate rewilding principles into a sculptural function. Each sculpture contains seeds of local wild and urban plants and is a living ecosystem of bacteria and fungus contained in soil and reclaimed London clay. Seeds will germinate at their own pace allowing the environmental conditions to determine the germination. Armoury’- Weapons Of Class Destruction (WOCD)’ is a collection of ammunition-like seed pods modelled on seed bombs. In this work, I borrow on natural farming technics and a traditional craft of mud ball making inspired by Matsunobu Fukuoka. The clay is unfired - artists and makers are the symbolic fire element. I wanted to offer an ecological take on the militaristic representations: of weapons and ammunition and situate it within the queer ecological frame allowing for sculptures to evolve, mature and transform becoming ecological tools of resistance. 

Symbiotic Extrasensory Membrane (SEM), 2022

A collaborative project realised during the Making Waves - Scientist in Residence project exploring impact of frequencies on the behavior of living organisms. This speculative project proposes to use frequency generator to shape up the texture of a medium (agar) in order to connect to other frequencies and other-than-human beings.

Colaboration with 

  • Maria Li, MA Biodesign, CSM, UAL

  • Peter Nasielski, MA Furniture Design, CSM, UAL

  • Xinjang Du, MA Industrial Design, CSM, UAL

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'These truly are the last days’ ​

These truly are the last days is a series of photographs and collages showing a landscape of landmarks in London in 2080. The title of the series was inspire by a verse from a composition ' Dead Flag Blues; by God Speed You Black Emperor. 


'These truly are the last days (Trafalgar Square)’ 
Unframed Digital Print/ Giclée on Innova Fibre Semi Matt Paper
8 Editions of 10 prints, signed with a certificate of authenticity echoing featuring a different landmark in London, Check my website for more information: https://www.mothermatter.online/these-truly-are-the-last-days

Paper size: A3 (297 x 420 mm)

 

Print size: A4 

 

Unholy Tiles.
Drawings on rescued pine panels.